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The veil is thinning, the days are getting shorter, and fall is almost here—which means it’s about to become a very busy time for horror writers. I’ve spent much of this year working on several projects that are finally starting to come together, and this fall should see several very different kinds of horror heading out into the world: a new writing-craft series, an old-school punk-rock zombie novel, the first issue of a new pulp horror magazine, and an audiobook release. Fi

There is a specific kind of fear that has nothing to do with monsters. You have felt it. It is the feeling of standing in your own kitchen at three in the morning and, before you can explain why, registering that something is off. The room is exactly as you left it. That is the problem. A space you know in your bones should not be able to make the back of your neck go cold, and yet there it is, doing it. That feeling has a name now, more or less, and it has quietly become t

The Pulp Method series has a tenth and final entry: The Pulp Method: Short Fiction. But this release is different from every one that came before it, because it doesn't arrive alone. Alongside the book, I'm launching Pulp Revival Press — a new indie fiction publisher built around genre-focused pulp magazines. The two are connected by design. The book teaches you how to write, revise, and submit short fiction professionally. The press gives you somewhere real to send it. That

Over the past year, The Pulp Method has grown into something much bigger than a series of writing books. What started as my personal system for finishing and publishing novels evolved into a shared philosophy among writers who care about the same things I do: Writing consistently, finishing stories, respecting readers, improving through repetition, and building a body of work instead of endlessly chasing perfection. That philosophy has attracted exactly the kind of writers I